The term "perfection of the absurd" would apply this this Gerard
Butler vehicle, if only it were perfect. It isn't, but as a "leave your
brain at the door" movie, I had to admit I never looked at my watch,
burrowed through a giant box of popcorn, and enjoyed it about ten times
more than the latest "Die Hard", which franchise it apes so precisely I
expected John McClaine to show up in the Lincoln bedroom looking for his
shoes.
Basically, Butler plays a disgraced Secret Service agent (you know
why if you saw the coming attractions) following an incident where,
apparently, an owl breaks a pane of bulletproof glass in the
presidential limousine. Don't ask. Eighteen months later the White
House is attacked by North Korea, and our boy Butler is the only one in
the world who can Save The Day.
Listen: leave your big boy pants at home. If you can't wrap your
mind around the fact that it exists in its own universe, a cross between
Die Hard and "24", you don't belong in the theater. Some of the
effects are a tad iffy, some of the emotional through-lines aren't
played for maximum charge (some business with the President's son could
have been juiced much more, and should have been paralleled with a
sub-plot about Butler's own family for maximum impact) and some last-act
business about nuclear weapons was an eye-roller to say the least.
Angela Bassett and Morgan Freeman show up as highly placed government
types hunkering in bunkers, display charisma and total professionalism
as they try not to laugh, and collect hefty paychecks. Tough talk is
exchanged, martial arts techniques are blisteringly applied in shadowed
rooms suitable for concealing expert stuntmen, and there is much
gunplay, many exploding objects, and sharp thingies pierce vulnerable
sections of human anatomy. A tough female secretary of state sings a
patriotic song while being dragged by the hair, and it's one of the
least absurd moments of the evening.
But I found it great fun. And oddly heartening, an odd statement
about how safe the world has become that, in Hollywood's neverending
search for supervillains for the superheroes of the world we've moved
from major enemies like nation-states to rogue generals, industrialists
and neo-Nazis to terrorist organizations and now a tiny country that can
hardly launch a skyrocket without embarrassing themselves. In the
larger scale of things, that's one of the most optimistic developments
in years.
Oh, what the heck: my inner twelve year old gave it a B+. He LOVES
this kind of nonsense. If you can't dial your head down that
far...beware.
Thursday, March 14, 2013
"Olympus Has Fallen" (2013)
Posted by Steven Barnes at 4:37 AM
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3 comments:
Were the fight scenes done with shaky camera and in the dark? Or were they well done?
Most of the fights are shadowed, but well choreographed and intense. You can make out the action, and Gerard Butler handles his aspects with power and grace.
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